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The Surgeon’s Domus in Rimini, an ancient Roman residence from the 3rd century AD destroyed during a barbarian siege, reveals the daily life, medicine and mystery of Eutyches, the physician from the East.
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The article highlights how the practicality of raw earth fits the needs of local people, symbolizing the origin of everything and emphasizing the importance of preserving traditional architecture in villages such as Ficana in the Marche.
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By linking the poetics of architecture to a feminine feeling, the idea of living on the edge of dreams and possibility is traced within the pages of Gio Ponti’s L’architettura è un cristallo.
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By rebelling against classical styles, Ruskin awakened the interest in Gothic architecture present during the Victorian era, criticizing the social evils resulting from the nineteenth-century industrial revolution.
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Each collection designed by Paolo Castelli is entirely made in Italy in collaboration with great master craftsmen and intones an ode to the harmony between luxury design and the new ethics of sustainability. A precious meeting space between innovation and ancestral.
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The conception of a living and liquid relationship with the ‘fragments of space’, which characterize the urban network, will be the cornerstone in the thinking of Perec and Matta-Clark who, through an essentially individualistic approach, touched upon active experimentation of a situationist nature.
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The new generation of “barefoot architects”, as Friedman defines them, are a key figure in addressing the question of conceiving the construction of structures for a reality that sees an increasingly complex relationship between man and environment.
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The dialogue between art and architectural space is the personal Percept / Ethos by Irish artist Colm Mac Athlaoich, Irish artist on show in November 2021 at the Weber & Weber Gallery in Turin.
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Brief excursus of the ancient history of Matera, told through the perspective of the architect Pietro Laureano and the director Pier Paolo Pasolini who have been able to grasp its magnificence through their works.
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Dalisi’s design and experimental thinking is not confined within four walls, but has always been open to the context through laboratories and architectural experiences in the suburbs of Naples.
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